See also here.
See also here.
The SAMAB Editorial Committee invites you to submit your research papers for consideration for publication in the 2020 edition of SAMAB. The theme of the 2020 SAMAB call is:
21st Century Challenges: Museums as social and political spaces
Sub-themes of interest for this edition will include museology topics related to:
– Inclusivity, access and diversity
– Multiple (polyphonic) narratives and critical dialogue
– Are museums ready for 4IR?
– Violence and corruption within SA Museums
– Moving into digital curation and collections
We welcome all submissions related to the topic of museology, research papers and academically sound opinion pieces about the topic of museums as social and political spaces and can include but are not limited to address some crucial questions as outlined in the above current and topical sub-themes.
The deadline to submit papers is 1 May 2020
Only papers that adhere strictly to the SAMAB Author Guidelines will be considered. Read them here.
Proposed papers can be emailed to the Editor at email@example.com
Deadline for submission: 1 May 2020
Notification of acceptance for Review: 31 May 2020
This issue will be published in December 2020
The South African Museums Association Bulletin (SAMAB) provides a forum for the publication of peer reviewed articles that promote the discussion, debate and the dissemination and exchange of information on aspects of museology, with particular but not exclusive reference to South Africa. SAMAB also enables the communication of current issues, practices and policies regarding collections management, curatorial discourse, museum administration, research, exhibitions, visitor studies, community engagement, education, conservation and other topics relevant to the museum and wider heritage sector.
The theme of the 2020 Universeum Annual Conference in Belgium will be :
University museums and collections in the vanguard of contemporary societal debates
This main theme echoed the debate on the definition of museum in ICOM community. During the 2020 Universeum Annual Conference in Belgium, we would like to continue this debate and focus it specifically in relation to university museums (U-museums) and collections, questioning their role as actor of social and political change on one hand ; and how they deal with the challenges of their past on a second hand?
Read more in the full Call for Papers.
We invite you to contribute to this collective reflection and submit your abstract to the following email address using the abstract template by Friday 28 February 2020.
Programme Committee :
Nathalie Nyst, Université Libre de Bruxelles – ULB (Belgium), Chair
Geert Vanpaemel, KU Leuven (Belgium), Vice-chair
Frédérique Andry-Cazin, Sorbonne University (France)
Esther Boeles, University of Amsterdam (NL)
Mélanie Cornelis, Université de Liège – ULiège (Belgium)
Marjan Doom, Ghent Universiteit (Belgium)
Maria Economou, The Hunterian, University of Glasgow (UK)
Marlen Mouliou, National and Kapodistrian University of Athens (Greece)
Sébastien Soubiran, Jardin des sciences, University of Strasbourg (France)
Kevin Troch, Université de Mons – UMONS (Belgium)
Our friends at the Association of Academic Museums and Galleries have released their Call for Proposals for the AAMG 2020 Annual Conference to take place next June at the University of Kansas. This year’s theme is Risk & Bravery: Action and Response in the Academic Museum. They invite you to submit through their online portal.
Submission Deadline: January 6, 2020
Today, UMAC and the Qian Xuesen Library and Museum of Shanghai Jiao Tong University, have publicly agreed to take their partnership to a more substantial level.
Here are some of the changes:
The agreement was made after the opening session of the UMTWS 2019, and counted with the presence of An Laishun, Vice-President of ICOM; Guan Qiang, Vice-President of the National Cultural Heritage of China; and Hu Hao, Member of the SJTU University Council, among others.
Transfer is not a particularly new concept. In the past, it referred to the implementation of economically relevant or application-oriented research findings. Nowadays the term has taken on a broader meaning. In a position paper published by the Wissenschaftsrat (German Council of Science and Humanities) in 2016, “transfer” is defined as the conveyance of scientific and technological knowledge into society, culture and politics in the context of various activities.
Accordingly, the Wissenschaftsrat classifies science communication as a transfer activity and explicitly designates exhibitions as a potential transfer medium. This is by no means surprising as museums have been important institutions for the public re-presentation of scientific study and discoveries since the 19th century. However, the Wissenschaftsrat holds a critical view of the traditional concepts of popularisation and knowledge transfer because, by its nature, transfer is not one-directional, but rather a mutual relationship based on exchange and can only succeed if the content and methods correspond to the needs and expectations of the public.
The question of how to form such asymmetrical relationships has been the subject of intensive discussion at least since the literary scholar Mary Lou Pratt coined the term “contact zones” in 1991. New variants of the concept, such as “trading zones” (Galison, 1997) and “transaction spaces” (Nowotny/Scott/Gibbons, 2004), indicate that the academic community has come to a new understanding of science and its transfer relationships. Under this expanded definition of transfer, the focus has also shifted to less frequently considered aspects of university collections and the services they provide, e.g. consultation and advice, translation services and collaborative research activities.
University collections are especially conducive for testing experimental forms of object-oriented transfer. Because of their unique character, university collections can pursue very different paths than, for example, traditional museums. Collaborating with other “transfer specialists” at universities can produce promising results, be it in relation to subject-specific didactics, transfer centres or science communication departments within the faculties. With this in mind, the conference aims to highlight the performance potential of university collections for scientific transfer both within and outside the university.
At the 11th Collection Conference, hosted by the University of Münster and the University Collections Association (GfU) from 11th to 13th of July 2019, participants will discuss how and to what extent scientific collections can contribute to university transfer activities. What forms of transfer activities are conceivable? What might a successful bi- or multi-directional transfer look like? What processes of change could be set in motion by focusing on transfer in and for the collection – as well as within the university?
For the upcoming conference, we are interested in theoretical-reflective papers and praxis-based contributions. The following formats are planned:
The conference will focus on:
regarding the transfer zone COLLECTIONS | PUBLIC SPHERE
• locations and media of transfer
• mobile transfer formats
• re-presentation of pathways to knowledge
• models for bi- and multi-directional transfer
• collections and application-oriented research
regarding the transfer zone COLLECTIONS | UNIVERSITY
• collaboration with particular disciplines, science research, science communication and subject-specific didactics
• positioning collections within university transfer strategies
The length of the presentations should not exceed 20 minutes.
The workshops should offer participants and especially the curators of university collections the opportunity to share praxis-oriented expertise and experience. Possible themes include:
• transfer formats, analogue and digital,
• new developments in provenience research and its funding
• technical and conservational issues
Further suggestions for workshops on the conference theme “transfer zones” are welcome.
Participants may also submit individual wishes for the workshop section.
The workshops can have a duration of one or two double periods.
A poster session will offer the possibility to present and discuss current projects and the latest research findings.
The University Collections Association (GfU) will award six grants of a max. 200 euros each to offset the cost of travel and accommodation expenses for doctoral candidates who provide a substantial contribution to the conference (presentation, workshop, poster). Please submit an informal application to the treasurer of the GfU, Prof Dr Cornelia Weber.
Conference languages are German and English.
Please send your presentation, workshop proposal (max. 1,500 characters) or poster proposal (max 750 characters) together with a short CV by email no later than March 15th, 2019 to the following address:
Dr Eckhard Kluth, Central Curator
Central Curatorial Department of the University of Münster
Conference website here.
See preliminary programme and more information here.
Last week, during the XIV Jornadas museologicas Chilenas at the Casa Central de la Universidad de Chile, there was a meeting of the Group UMAC in Chile.
In the photo, Karin Weil (Universidad Austral de Chile) and Margarita Guzman (Universidad del Rosario, ICOM-Chile), among colleagues from university museums and collections in Chile.
UMAC wishes all the best to this important national network in Latin America!
5th Forum of Brazilian University Museums
Belo Horizonte, Brazil
8 – 11 October 2018
It is with great appreciation that we observe this timely and meaningful Forum of the University Museums bringing together experts from various international organisations to exchange ideas and experiences on the current state and the future of the university museums in Latin America and beyond.
Brazil has been one of the most dynamic and productive centres for museology and museum practice globally. It is no wonder that so many Brazilian professionals took part in different posts of ICOM’s governance, an association of over 40 000 members organised in 141 countries and territories worldwide. Besides our UMAC, representatives of ICOM’s expert International Committees are here today.
We believe our Brazilian colleagues will present to the world another example to be learned from and followed with their tackling of the devastating fire in the National Museum of Brazil and its aftermath.
We, as ICOM, are willing and ready to assist the Brazilian professionals in their quest to turn this mishap into an opportunity to rehabilitate this museum and museums in general, to update pertinent legislations and to advocate for funding.
I extend my best wishes to all of you for a very successful and productive meeting.
President of International Council of Museums (ICOM)
Foi com enorme satisfação que tomámos conhecimento deste significativo e oportuno Fórum de Museus Universitários, que reúne especialistas de várias organizações internacionais com o objetivo de promover a troca de ideias e experiências sobre o estado atual e o futuro dos museus universitários no Brasil e para além das fronteiras da América Latina.
O Brasil é reconhecido como um dos centros mais dinâmicos e produtivos na museologia e nas práticas museológicas a nível global. Não é, por isso, de admirar que tantos profissionais de museus brasileiros tenham vindo, ao longo do tempo, a ocupar diferentes lugares na governança do ICOM, uma organização que conta com mais de 40.000 membros em 141 países e territórios por todo o mundo. Para além do nosso UMAC, estão hoje aqui reunidos, em Belo Horizonte, vários membros de outros Comitês Internacionais especializados do ICOM.
Na sequência do incêndio devastador do Museu Nacional do Rio de Janeiro, seu rescaldo e consequências, acreditamos que, mais uma vez, os nossos colegas brasileiros darão ao mundo um exemplo com o qual todos possamos todos aprender e seguir. Nós, enquanto ICOM, estamos disponíveis e preparados para apoiar os profissionais de museus brasileiros na transformação desta calamidade numa oportunidade para reabilitar o Museu Nacional e os museus brasileiros em geral, bem como para rever e atualizar legislação relevante e defender o seu adequado financiamento. Estendo a todos os meus melhores votos de um bem sucedido e frutuoso Forum.
Presidente do Conselho Internacional dos Museus (ICOM)